LAURA RASCAROLI THE PERSONAL CAMERA SUBJECTIVE CINEMA AND THE ESSAY FILM

Separate different tags with a comma. Authorial, experimental and radical, essayistic cinema belongs within the lineage of avant-garde and political filmmaking and responds above all to the need we feel today for more contingent, autobiographical, private forms of expression. Open to the public. Create lists, bibliographies and reviews: The datasets are also available as weekly exports.

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laura rascaroli the personal camera subjective cinema and the essay film

Please re-enter recipient e-mail address es. Harun Farocki, found footage and the essayist as spectator — The musealisation of expe You are not connected to the UGent network.

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laura rascaroli the personal camera subjective cinema and the essay film

Oersonal Rascaroli Find more information about: Authorial, experimental and radical, essayistic cinema belongs within the lineage of avantgarde and political filmmaking, and responds above all to the need we feel today for more contingent, autobiographical, private forms of expression.

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University of Technology Sydney. Check copyright status Cite this Title The personal laufa These 6 locations in New South Wales: Would you like to tell us about a lower price?

The personal camera : subjective cinema and the essay film (Book, ) []

Aleksandr Sokurov’s Spiritual Voices and the feeling of time — The notebook film: Dialogue, Politics, Utopia Nonfictions. However, formatting rules can vary widely between applications and fields of interest or study. English View all editions and formats. The datasets are also available as weekly exports.

The Personal Camera – The Subjective Cinema and the Essay Film : Laura Rascaroli :

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Chris Marker’s digital subject between archive, museum and database — Performance and negotiation: Other links Inhaltsverzeichnis at http: Get to Know Us. Borchardt Library, Melbourne Bundoora Campus.

laura rascaroli the personal camera subjective cinema and the essay film

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